All almost identical problems I found with the 5500. Noise is well controlled as we’ve discussed but highlights become lost quickly if there’s a bright background in a scene for example. A vivid ‘Chrome’ setting allows for extra saturation of shots (there’s a black and white mode too and I’ve included a shot in that mode in this test for you too), ideal for vivid greens and reds. The S5600 easily lives up to the standards set by its forbears with sharp colourful images. It’s grainy and dark to use and all but useless for critical focus judgment, which brings me neatly too… It’s bright and crisp though, so is a cinch to use and it even comes with a fast, 'LCD brighten' button for fast switching if you suddenly find yourself in the spotlight - or in bright sunshine. The new colour screen is a 1.8-inch device and replaces the 1.5-inch version on this camera’s predecessor, but it is still small by today’s standards.
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